Hamza H. Wulakada¹, Prof. Dr. Abdul Hakim, M.Si², Prof. Dr. Ir. Sugiyanto, MS³, and Prof. Dr. Isrok, SH., M.Hum⁴

Abstract: Historical, symbolic, mythological and morphological approach to Garuda Bird as the symbol of the Indonesian state is important to be studied because in the level of axiology there has been a crisis of morality that plagued the whole Indonesian compound. The assumption is that the philosophy of Garuda Bird life has not been methodologically linked with Pancasila philosophy so that the ideology of the nation is not fully manifested in the pattern of nation and state life behavior. The choice of this topic aims to; 1) Tracing the history of Garuda Bird as a symbol of the Indonesian state, 2) Knowing the existence of Garuda Bird as a myth or reality, 3) Knowing the semiotic dimension of Garuda Pancasila state 4) Knowing the relativity of Garuda Bird with Pancasila philosophy as the nation ideology. The theories referred to as the supports in this study include; semiotic theory, identity theory, social critic theory, and myth-ritual theory. The attainment of the intended objectives uses a literature study pattern and an ethnographic study involving resource persons and competent communities. Deep observation of the bird species identified as garuda to pay attention to the pattern of adaptation to the environment then illustrated using a semiotic approach that is in accordance with socio-cultural conditions of Indonesian society. The method used in this research is using qualitative descriptive analysis method. The history of the Garuda Bird is part of the Hindu myth of belief adopted through the various stages of the development of Indonesian civilization. Garuda Indonesia became a symbol of the post-Indonesia country has been proclaimed so that the choice of Garuda as a bird is a long process that is arranged in the historical stage of its own with the dynamics of internal and external nationalities post-independence of Indonesia. The reality until now there is no authentic authentication that patents the copyright of the emblem of the State of Indonesia. Meaning the symbol of the symbol of the Garuda Pancasila State becomes important because without giving meaning to the cultural objects that have been inherited a generation before, the resulting works will be lost in human civilization in the future. The symbol of Negara Garuda Pancasila can be interpreted through various approaches namely connotative meaning (myth) and denotative meaning (visual element).

Keywords: Garuda Birds, Symbols, Myths, Historical, Morphology

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Orpa Elvira Rohi1, Felysianus Sanga2, and Jimmy Pello2

Abstract: Sabu – Raijua weaving have very deep philosophical values ​​of social life in ethnic communities’ Sabu – Raijua. Each binding weaving contains a diversed pattern or motif and has a characteristic of each. In the current era of globalization, violation activities of piracy or duplication of the weaving in Indonesia including Sabu- Raijua is rampant, for that the legal protection in the form of copyright registration is very important. Legal protection is meant to provide preventiv efforts as well as repressive efforts in order to save the existence of weaving – Sabu-Raijua methamphetamine.

Keywords: Weaving, Protection Law, Copyright

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Hentji Kadja and Felysianus Sanga

Abstract: Understanding Sabus community can be identified from the patterns and motifs which depicted in weaving as its identity and local wisdom. The patterns and motifs of Sabu weaving are divided into two major groups namely “hubi ae” and “hubi iki” which reflects the greatness of a Sabu woman in creating, preserving and inheriting the culture, lineage and her identity. Descriptively trying to describe the semantic meaning of every woven color and style, privileges and greatness of Sabu women. Hubi ae (big palm flower) with red and black color depicting courage in facing all challenges with full of victory. Hubi iki (small palm flower) with indigo and white blue color depicts with simplicity and innocence which ready to face the harsh of life. The greatness of Sabu women is illustrated also through the process of creating, designing, and weaving to produce woven in motif of ei raja, eileddo and eiworapi.

Keywords: weaving, ei, hubi ae, hubiiki

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Felysianus Sanga1, Simon Sabon Ola2, Gudrecht Yat Padje3, and Ajis Hentje Kadja4

Abstract: Each of the motifs “Tenun Ikat” Sabu Raijua fabric already has different meanings based on the provisions of the ancestral heritage, namely: 1) Must be appropriate age and sex wearing it; 2) Social status in Sabu Raijua ethnic community; 3) Must be based on the situation and condition of an event in the community; 4) Must be based on the situation, condition, and type of event being presented. If the use is not in accordance with the above provisions it will greatly disrupt the situation and the condition of the event being laid out.

Keywords: Motifs, Weaving, Sabu, Social Status, Event Type, Audience

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Nadia Savitri1, Maria B. Theresia2, Rahma Fitriani2

Abstract: Unemployment is a condition in which a person is in the labor force but does not work and is still looking for a job. Unemployment data in East Java can be accessed as a data panel. This data is the result of a combination of cross-section data and time series data. Will the data be observed at intervals once, over time will have correlated or interdependent data. Data from year to year, then between data also correlate each other. If the response variable states many unemployed in the city or district in East Java in 2006 until 2015 the spreads that belong to the family are exponential and contain autocorrelation. Verbekke and Molenberghs (2005) for data models containing autocorrelation and response variables did not spread normally. This study aims to analyze the data panels in East Java with the Generalized Integrated Mix Model, forecasting the number of unemployed and identification of the predictor variables on the number of unemployed.

In the Generalized Linear Merger Model. Estimation of model parameters using Maximum Likelihood (ML) method for estimation of fixed effect and. For estimation of random effects. In GLMM modeling, many labor force, large MSEs, economic growth, GRDP, inflation and region are. Various labor force, MSEs, economic growth, GDP and inflation over many unemployed in 38 districts and cities in East Java. Based on research data, it can be concluded that GLMM can be used as an approach to model unemployment panel data in East Java.

Keywords: panel data, GLMM, unemployment in East Java

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Donna Youlla¹, Soemarno², Hendro Prasetyo², and A. Wahib Muhaimin²

Abstract: Trash bank is a concept of collecting disaggregated dry waste with banking management-like system. The trash savers are also called as customers who have a passbook and access to borrow money returned with trash.   The result of collected sorted trash will be deposited to either trash-based craft workshops or garbage collectors. Pontianak, with a population of 668,771 in 2016, is the capital of West Kalimantan Province developing toward big city; its amount of waste generated according to the Sanitation and Gardening Agency of Pontianak City is 731.086 M3 / Year.  Regarding this the local government has made several efforts such as trash bank program to overcome the problem, Trash Bank in Pontianak is a social engineering activity essentially aimed to teach the community to sort out garbage as well as to raise public awareness in processing waste properly and correctly which in turn will reduce the waste to transport to the landfill. One of the increasingly advanced trash banks able to empower the community around the city is Rosella trash bank located in Parit Tokaya, Pontianak. This trash bank is one of three trash banks that are quite active in Pontianak. Based on the results of previous research and the initial survey on some identified problems of trash bank management, the objectives of the research are to find: 1) the condition and profile of trash bank in Pontianak and 2) the main factors in managing trash to get a good solution of trash bank management problems in Pontianak. The research results revealed that of 12 indicators of trash bank’s success the role of government has the biggest contribution (23%), followed by the community participation (13%) and the regulation (12%). This shows that the role of government in trash bank management is very important. Management of a good trash bank will be better with the existence of government intervention because the trash bank program was initiated by the government supported by community participation and synergized with the regulations issued by the local government.

Keywords: Trash Bank, Waste Management, Local Government

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